A. O. Barnabooth

ses œuvres complètes, c'est-à-dire : un conte, ses poésies et son journal intime
Paris, Éditions de la N.RF., (July 15) 1913.
1 vol. (165 x 220 mm) of 430 p. and [1] f. Raspberry-pink morocco, green morocco doublures, double endleaves of fabric and glazed paper, gilt title, date gilt at foot, edges gilt on the rough, fillets on edges, original wrappers and spine preserved, matching chemise and slipcase (binding signed by Tchékéroul).
Collected edition, partly first edition. One of 30 deluxe copies réimposé on vergé d'Arches paper, this copy unnumbered.

In 1908, Valery Larbaud had already published Poèmes par un Riche Amateur, in which the singular figure of Archibald Olson Barnabooth, a cosmopolitan and dilettante South American millionaire, first appeared. Five years later, this fictional hero returns, fully realized, in this hybrid volume mixing diary, meditations and poems, as so many fragments of an existence wandering between Europe, America and the East.

The book was published by the Nouvelle Revue Française, then in the midst of its ascent, and established Larbaud as a major writer of French modernity. Behind the mask of Barnabooth can be read both the author’s ironic self-portrait — a polyglot traveler, a lover of foreign literature — and a discreet manifesto for a globalized literature, open to languages and cultures.

This 1913 edition is regarded as the definitive form of the Barnabooth adventure, whose ironic cosmopolitanism and casual melancholy would influence Gide, Cendrars and many other traveling writers.

A choice copy in a perfect binding by Tchékéroul.

#23071
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