Noces

Color woodcuts by P.-E. Clairin
Paris, Cent femmes amies des Livres, [sur les presses de Mme J.-G. Daragnès], 1952.
1 vol. (235 x 320 mm) of 121 p. and 5 f. Emerald-green morocco, covers decorated with gilt and blind fillets, lavallière morocco fillet, smooth spine, gilt title, edge-to-edge lavallière morocco doublures, double endleaves of silk and paper, edges gilt on the rough, original wrappers and spine preserved (binding signed Tchékéroul - R. Paris, gilt).
First illustrated edition.

One of 120 copies on pur fil Vidalon paper (no. 60), printed with the name of the Baroness Vaxelaire.

21 woodcuts by Pierre-Eugène Clairin.

The collection comprises four texts, true prose poems written in 1936 and 1937:

Noces à Tipasa: Tipasa, with its Roman ruins and the sea below, which “celebrates the marriage of man and the world”;
Le vent à Djemila: the ruins of Djemila perched on a rocky spur, still bathed in sun but marked by “the great heavy silence” and the obsessive presence of the wind;
L’été à Alger, dedicated to Jacques Heurgon: the life of Algiers in summer, with its sea and sun;
Le désert, dedicated to Jean Grenier: Camus’s journey through Tuscany.

This first illustrated edition was published thirteen years after the original edition (issued by Charlot in Algiers in 1939), with woodcuts by Pierre-Eugène Clairin. The painter had been introduced to Albert Camus by Marcel Damboise, a fellow resident of the Villa Abd-el-Tif in Algiers, in 1935.

A good copy, in an elegant binding by Tchékéroul.

#29473
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