Mon village à l’heure allemande

Jean-Louis Bory (1919–1979), barely twenty-six years old — the youngest laureate of the prize — wrote this first novel between May and July 1944 in his native town of Méréville (transformed into Jumainville), while taking part in the Resistance maquis of Orléans and Angerville.

On 14 December 1945, the Académie Goncourt, meeting at Drouant, awarded in quick succession the prizes interrupted by the war: that of 1944 to Elsa Triolet (Le premier accroc coûte deux cents francs) and that of 1945 to Bory for this novel. Rarely has a first book so exactly matched the expectations and wounds of its contemporaries: a chronicle of a village in the Beauce under the Occupation, it spoke to every French reader emerging from four years of war and collaboration.

Its success was immediate and massive: more than 300,000 copies sold within a few weeks, praised by Paul Morand and Colette. But this overwhelming triumph weighed heavily on its author. Jean-Louis Bory, a teacher at the Lycée Henri-IV, went on to a career in literary and film criticism. A fixture of Le Masque et la Plume alongside François-Régis Bastide, he became an emblematic voice of postwar cultural criticism.

He is remembered for the program’s theme music (after La Fileuse, by Mendelssohn), the little cascade of piano notes that opens the celebrated broadcast on France Inter — a tune chosen in 1978 by François-Régis Bastide, then the program’s host, to raise the spirits of his fellow critic. It was not enough: in June 1979, overcome by depression, Bory took his own life at his house in Méréville.

A fine copy with an attractive provenance, bringing together two writer-combatants, both from the same region around Orléans.

From the library of Maurice Genevoix, with bookplate.