Les Folies françaises
First edition, first printing of this iconic book, entirely handmade, with a color illustrated and laminated cover and 26 leaves, including 16 pages printed in pochoir and 20 pages illustrated in serigraphy or lithography, some laminated with movable elements.
Bertini’s copy — the other of the two hors commerce copies — is held at the Beinecke Library (Yale University, U.S.A.), in an identical binding executed by Loutrel.
Only three copies were originally assembled by H.-D. Mercher, and subsequently, following the exhibition devoted to Gianni Bertini and Les Folies françaises at the Librairie Denise Weil in December 1993, by Patrick Loutrel. Loutrel’s constructions were better designed than the earlier ones, which were more fragile and less suited to the monumental compositions. The first versions worked by means of batteries, concealed behind a removable window on the back cover. The later ones worked by means of an electrical power supply.
This copy is complete with its transformer.
A cult book of Mec’Art (Mechanical Art), founded by Gianni Bertini (1922–2010), Les Folies françaises is one of the most striking French artists’ books of the 1960s, both for its use of brightly painted plastic moldings replacing the leather of traditional bindings, and for its graphic conception based on the détournement of images from the women’s press of the period, notably from the magazine ELLE.
“Probably the finest deluxe illustrated French book fully characteristic of its era” (J. Espagnon–P. Le Bret, Des livres, Une histoire des années 60, 1993).
The binding exists in other color variants (green or blue); this copy is complete with its original XXL slipcase, made by Patrick Loutrel.
