Les Tambours de la mémoire

Paris, Plon, (July 5) 1965.
1 vol. (165 x 210 mm), unpaginated. In wrappers, uncut.
First edition.

One of the first 200 hors commerce copies on vélin (no. 8).

Signed presentation inscription: “Pour ma chère Madeleine, première éditrice de ce texte, et pour une larme qui m'a donné confiance. Maurice, 1965.”

Published between two volumes of the Rois maudits series, Les Tambours de la mémoire is a more personal and introspective narrative, in which Maurice Druon reflects on the murmurs of history within the consciousness of the living. His style here evokes those famous “drums” that echo from generation to generation: the resonance of the dead, of defeats, of commitments, of honors lost or handed down. It is also a text about collective memory, the weight of the past, and the invisible legacies that individuals, often unknowingly, carry within themselves. The following year, Druon was being considered for a seat under the dome of the Académie française: he was elected there in 1967.

A touching copy presented and inscribed to Madeleine Mérignac, secretary, companion and later wife of the writer. She played an essential role in Druon’s literary and personal life, as attested here by this poetic allusion to her support — “a tear that gave me confidence” — as well as to her decisive role in the editing of the text, perhaps even as its first reader and inspiration.

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